The
first painting I chose from the MoMA to speak on is The Persistence of Memory painted in 1931 by the Spanish painter
Salvador Dali. This art style is known
as Surrealism, and was a very prominent style of art starting around the mid 1920’s,
and its influence lasting until about the mid 1960’s. It has been considered to be the most influential
art movements of the 20th century.
In this style of art one of the main aspects that makes this art style
unique is the inspiration behind it, Sigmund Freud the psychologist who studied
people’s subconscious was a big inspiration to the artists that started this
movement. These artists began to explore
subject matter in a way that was unrealistic giving way to its name, Surrealism. These paintings were often mentioned in the
same regards as a dream considering the imagery was just as bizarre as the
dreams one might have. In the painting I
chose, the artist demonstrates a lot of these ideas of surrealism
beautifully. In this painting you see a desolate
setting kind of like a desert with mountains in the background along with a
lake or sea. Meanwhile in the foreground
and middleground of the painting you see different images. To the left you’ll notice a platform with
clocks draped over a branch of a tree that’s on the platform, and the platform
itself. Towards the middle of the
painting you’ll see what seems to be a portion of the face draped over a rock
with another clock draped over the face, and out of what seems to be the nose
portion of the face there seems to be a tongue sticking out almost like a
snail. This imagery is very unrealistic
and is a perfect example of Surrealism at its finest. When you look at it, it’s something that
looks like it came straight out of a dream and onto the canvas. When I look at this piece I think the artist
is trying to tell us that time won’t bend for anyone, no matter how badly you
may want to speed it up or slow it down depending on what is happening in your
life, it just won’t. So I think the
artist used the clocks bent and adapting to whatever form they were on to tell
us that he wishes time did.
The
second piece I decided to speak about from the MoMA is Pablo Picasso’s painting
done in 1910 called Girl with a Mandolin. This art style is known as Cubism, and began
in the early 1900’s. Many of the artists
who painted in this style of art were influenced by many indigenous tribes’
sculptures, mainly their masks. These painters
looked at these masks that they would see from African cultures and noticed
their use of geometric shapes to create these masks, and decided to explore
those shapes more. These artists would
start to create images using nothing more than just many geometrical shapes in
many different ways such as fragmented, abstracted, and in such ways that you
thought differently about the shape itself.
In this painting by Picasso, it is using many different geometrical
shapes to create the image of a woman holding a mandolin. The reason I chose this painting is because I
really felt it captured the essence of what the Cubist movement was all about. Picasso does a wonderful job in placing his
shapes to create the illusion of a woman holding a mandolin, also with the use
of lighting and shading it gives you the feel that this painting is actually
three dimensional and is popping out at you.
When I look at it, just from the simple use of minimal color and shading
I can tell the woman’s hair color, body size, and really just gives me a new
appreciation for shapes in general. It
is quite incredible how someone can fragment and utilize shapes in such an
abstracted way in order to create an image so potent and strong. I feel this is a perfect example of the
Cubism art movement.
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